CR30.1
Listen and respond as a jazz performer when playing jazz.
Indicators for this outcome
(a)

Respond to qualities of personal tone such as pitch, dynamics, style, rhythm, and time.

(b)

Respond to the rest of the ensemble (e.g., their tone, pitch, dynamics, style, rhythm, time, balance, and blend).

(c)

Respond to the ensemble's response to the student's responding to them (e.g., when the lead player starts to play out or articulate a certain way, does the band follow and does the lead player recognize it?).

(d)

Respond to the conductor/leader, including his/her gestures, cues, tempo, expressions, and body language.

(e)

Listen to the acoustic properties of the performing space, including the sound, tone, loudness, and reverb of the room, and adjust playing accordingly.

(f)

React to the audience, to their presence (or not), body language, expressions, and their reaction to the music (e.g. applause, cheering, being asked to play quieter).

(g)

Know the history, culture, style, form, and tempo of the music being performed and respond to the music (written or not written) by reading the music and/or performing the notes and/or changes appropriately.

(h)

Recall previous experiences and knowledge (in music and in life) and integrate these into solo and group jazz performances.

(i)

Know any special emotional context that may apply to the music, generate the appropriate emotional feeling or energy, and/or change the personal emotional state of the performer to synchronize it with the emotional context of the music being performed.

(j)

Know, predict, and/or anticipate what is next or might be next in the music and prepare for that while performing in the moment of the music

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R052745
The Jazz Language
A jazz musician must have an understanding of the construction of chords and scales and a ready knowledge of their applications as resources for musical expression. This book includes materials commonly used by a jazz musician and is presented in order of complexity and need. The book is not intended to be an arranging or an improvisation text, but a pedagogical reference. Each chapter concludes with study questions and exercises for the specific concept. The appendices offer additional tools.
Media and Formats : Book
Price : $23.95
Record posted/updated: November 22, 2018
R054565
Expansions. A Method for Developing New Material for Improvisation(2nd ed.)
Campbell provides a thorough approach to practicing patterns. He uses scales that are not addressed in other books.
Media and Formats : Book
Price : $11.99
Record posted/updated: November 22, 2018
R070138
Gerry Mulligan. The Age of Steam (CD/DVD Pack)
The CD includes the original A&M recording of "The Age of Steam." The DVD includes a master class, a documentary, a Dolby Digital stereo and surround sound mix of the original recordings and interviews with several of the artists who participated in the recording including Bob Brookmeyer, Roger Kellaway, Tom Scott and Stephan Goldman. The DVD also includes PDFs of the sheet music for each composition on the recording.
Media and Formats : CD/DVD
Price : $33.50
Record posted/updated: December 7, 2018
R070129
Beginning Jazz Guitar
Beginning Jazz Guitar is the first book in a series of four books describing a step-by-step method for learning to play jazz guitar. This book includes the major scale and basic triad theory, extended chords and the modes, and a full length etude or song to go with every new concept introduced. The book is clearly organized into easily mastered segments and each chapter is divided into separate lessons. The "A" lessons cover harmonic and chordal topics and the "B" lessons cover improvisation. General information, tips on practicing are at the end (coda) of the book and the music is written in standard notation and TAB.
The accompanying CD demonstrates the examples in the book.
(More information)
Media and Formats : Book CD/DVD
Price : $29.50
Record posted/updated: July 8, 2024