(a) |
Sequence movements purposefully to support transitions when creating and combining dance phrases. |
(b) |
Demonstrate clarity of transitions between dance phrases. |
(c) |
Develop and refine transitions using reflection, decision making, and movement problem solving. |
(d) |
Create dance transitions for various forms such as binary (AB), ternary (ABA), theme and variations, narrative, collage, chance, and organic. |
(e) |
Demonstrate how the whole body contributes to focus that can be inward or outward during movement phrases and transitions. |
(f) |
Repeat movement phrases and transitions of increasing difficulty with accuracy. |
(g) |
Take risks and solve dance problems in new ways. |
(h) |
Extend body's range of movement, strength, and balance with attention paid to correct alignment and clarity of action. |
PLEASE NOTE: Métis Jigging Part 2 builds on skills and knowledge from Part 1, which aired in 2015. Teachers should review Part 1 and its accompanying activities with their students before commencing Part 2.